Nation, Narration, Narcosis: Collecting Entanglements and Embodied Histories at Hamburger Bahnhof addresses art's relationship to political protest, historical trauma and social narratives from the 19th century to the present. At a time when icebergs are melting faster than societies are reacting to this new reality, and the end of the world is more conceivable than the end of capitalism, the exhibition considers the climate and environment not only from an ecological standpoint but also from a social one.
In this context, the exhibition poses questions about the often brutal processes of nation-building, the role assigned to art in that process, and which hegemonic as well as alternative forms of community and accompanying narratives are conceivable and reflected in artworks. Based on Beuys's concept of social sculpture, the exhibition reflects on the significance of "nation" contained in the name "National Gallery", along with other concepts of connectedness, solidarity and individuality.
Works by more than fifty artists are on display, including Amanda Heng, Apichatpong Weerasethakul, Arahmaiani, Ho Tzu Nyen, Käthe Kollwitz, Kawita Vatanajyankur, Marina Abramovic, Melati Suryodarmo, Tita Salina, Willem de Rooij and many others.
The exhibitions at the participating institutions are curated by Anna-Catharina Gebbers, Grace Samboh, Gridthiya Gaweewong and June Yap, and are presented by the Nationalgalerie - Staatliche Museen zu Berlin in dialogue with the collections of National Gallery of Indonesia (Jakarta, Indonesia), MAIIAM Contemporary Art Museum (Chiang Mai, Thailand), Singapore Art Museum (Singapore), initiated by the Goethe-Institut Südostasien, funded by the Kulturstiftung des Bundes (German Federal Cultural Foundation) and the Goethe-Institut.
